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The movie is a 2017 biographical drama film, based on the early years of singer Morrissey, before he formed the Smiths in 1982 with Johnny Marr. Originally titled Steven (Morrissey's first name), the title of the film comes from a lyric in the Smiths’ song “Still Ill”: “England is mine, and it owes me a living”.
The film stars Jack Lowden as Morrissey, and was written and directed by Mark Gill. It co-stars Jessica Brown Findlay as Linder Sterling and Laurie Kynaston as Johnny Marr. It premiered at the closing gala of the Edinburgh Film Festival on 2 July 2017, and was released in the UK on 4 August 2017, and in the U.S. on 25 August 2017.
England Is Mine 2017 Online Sa Prevodom / Plot
In 1982, Johnny Marr, Andy Rourke, Mike Joyce, and a young man named Stephen Patrick Morrissey formed a group called The Smiths. Arguably no British band of the ‘80s mattered more. The Smiths filtered Manchester’s working-class aggression through Morrissey’s once-in-a-generation voice and the band’s remarkably literary sense of lyricism. Who else could work in references to Keats and Yeats alongside relatable sagas of longing and insecurit.
Some wrote them off as too emo, but The Smiths were way ahead of their time in every way, and helped define a sound of alternative music that still exists today. Even after they split, Morrissey remained a fascinating musical figure, releasing some solo music that was nearly as good as the stuff he recorded with Marr. How did this fascinating frontman come to find his voice? There’s clearly a biopic in Morrissey’s true story. You can hear it in the timbre of his voice and the wit of his lyrics.
The best thing about “England is Mine” is the performance of Jack Lowden as Stephen Patrick Morrissey. Lowden, the pilot from “Dunkirk” who wasn’t Tom Hardy, is a magnetic presence, one of those actors who screams “future star.” But debut writer/director Mark Gill’s take on Morrissey is so flat and non-descript that Lowden’s natural charisma seems to be working against it at times. The film only comes to life when Morrissey does, briefly, in a moment of pre-Smiths fame. For the majority, Lowden feels restrained by a director who has a very specific, flat vision of a musical legend.
Set in Manchester in the late ‘70s and early ‘80s, “England is Mine” is mostly the story of a shy, lonely, brilliant young man who hates his job and looks at the growing music scene in his city from afar. He goes to concerts all the time—one of the best beats in the film is when his friend Linder Sterling (Jessica Brown Findlay) suggests that no one gets to a concert in time to see the opening acts and Morrissey insists that he does—and writes reviews of what he sees there.
He then looks at billboard postings for bandmates like a kid looks at puppies in windows. Linder then helps open Morrissey up to his potential and the world of art. She pushes him to get on stage, joining a group called The Nosebleeds (which also had future Cult member Billy Duffy), and Morrissey sings a cover version of The Shangri-Las’ “Give Him a Great Big Kiss.” It’s the only musical number in the movie and it’s phenomenal, capturing that young energy that Morrissey would hone over the next few years of his life.
The reason it’s not also repeated is that Morrissey’s time with The Nosebleeds was very short-lived. They then moved on to London without him after getting an offer that didn’t include the lead singer. Leaving Morrissey to then mope in a dead-end job in a depressing city. What happens when you express what’s in your heart and then see your chance to become an artist pulled away from you? Did Morrissey’s understanding that it also could all disappear with a phone call impact the way he wrote for and performed with The Smiths? Probably, but there’s not enough there for a movie.
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